Robert Altman's foray into the wild and woolly aspects of the human psyche and the complexities and simplicities of relationships is one of the more fascinating, if overlooked, entries in '70s cinema.
Sissy Spacek (love) and Shelly Duvall (love), and, to a lesser extent (but strangely, the author of the most compelling. mysterious and touching character in the film), Janice Rule, star in this completely singular and baffling film. The plot centres around Duvall's character, Milly Lamoureaux, and her ultimately sad (in the truest sense of the word) existence. Pinky (Spacek) tumbles into her life and, without so much as a ripple, insinuates herself into both Milly's life and her character. And then something happens. And things start to get really weird. And there are pretty colours and strange music (amazing, disturbing soundtrack by Gerald Busby) and odd, frightening, beautiful frescoes (courtesy by Bodhi Wind). And then a bunch of trippy, surreal and nightmarish, sleep-depriving dream sequences that culminate in a bizarre and haunting finale. It's been weeks since I watched this, and it still creeps and twists around in my mind. I'm still wrapping my head around this one, and for a more concise and articulate summary, you should check out Ebert's take on this absolutely essential film. And don't miss Altman's commentary on the Criterion release - superb. I've only just seen it, but (as is common with me) it's become one of my favourite films, and I could safely say that it fits nicely into my top 25 of all time. Highly, highly recommended.