Day 4/5 of SNUFF
And yet it's strangely riveting. If Bresson made minimalist films, then Fuller's style could only be described as maximulist. To cite an example from the surreal Dead Pigeon, there's an extended scene where the lead is trailing a woman through the streets of Bonn. He can't be more than 3 steps behind her the entire time and it becomes clear that Fuller is just fucking with us. If she stopped quickly, he'd run right into her and it just gets loopier from there. The final scene can be watched here if you want to get a sense of just how bizarre this TV film is. Acting Brilliant!